WE SHOT JR 
 
 
 shows / photos / about / twitter / sxsw  
 
 
 
weekender
  
Well, it's official. I've turned a trip to SXSW into a job. Good one. Planning shows and figuring out the best way to cover everything can be a real bitch, and I'll be glad when I finally get down to Austin so I can start acting like a drunken idiot like the rest of you people. Let's talk about music and stuff:


FRIDAY

Devil Driver | Napalm Death | Walls of Jericho | 36 Crazy Fists | In Vitro (Ridglea Theater)
If I didn't already know that I was going to get to catch Napalm Death play with High on Fire and motherfucking Motorhead in Austin in a few days, I would totally go to this show. For those of you who DIDN'T used to have a friend that drew fucking Slayer album covers in 8th grade in order to impress girls (fail), Napalm Death are widely cited as the band that birthed the grindcore movement in the mid and late 80s, applying hardcore's bare bones, short attention span approach to metal to produce some of the fastest, meanest and most exciting music of the era. The band has been going strong for 20 plus years now with a rotating cast of characters, and although I haven't heard even half of their expansive catalogue, I can tell you that their early stuff is every bit as brutal and ahead of its time as people say, and I would be very shocked if their live experience was anything less than amazing for anyone interested in this kind of music.

The Great Tyrant
| Sean Kirkpatrick | Death is Not a Joyride (Doublewide)
"Hey, so I wonder if that dumbass stonedranger is gonna say something about how fucking cool The Great Tyrant's live show is for the 20th time." Yes, Anon, I'll happily oblige and say something about how fucking good The Great Tyrant is live because they are fucking good live. Sometimes when I hear the deep, uneasy, rubbery menace that is Tommy Atkins' bass, I wonder if the Great Tyrant secretly listens to Dubstep all the time. Yes, Dallas does have a band that sounds like the Birthday Party playing Skull Disco, and yes, said band puts on one of the most overwhelming and intense live shows you'll see anywhere, local or otherwise. And what does Austin have again? Like Tacks the Boy Disaster and Ghostland Observatory or something?

Faux Fox | Ropes (Dan's Silver Leaf)
Couldn't really get into Ropes, but seeing Faux Fox at Dan's makes this totally worth it.

The Drams | Pleasant Grove | Doug Burr (Sons of Hermann Hall)
If Pat Green liked the Replacements, would there be a need for the Drams to exist?

This Will Destroy You | Tame...Tame and Quiet | Handbrake (Rubber Gloves)
A lazy reviewer might just tell you that This Will Destroy You sounds somewhat like Mono, Godspeed You Black Emperor, Explosions In The Sky etc. That's not my style. I've worked very hard today to put my finger on it and I think I've got it: This Will Destroy You hail from San Marcos and they reminded me of Austin's Mineral, but in instrumental form and minus the thin 90's emo whine. Anyways, that's often why I can't stomach many of these "buildup" bands in large amounts. They often sound like "emostrumentals." I will admit that it's an improvement over that deservedly maligned genre, but the similarities are often frightening. UPDATE: This will Destroy You has Canceled. Other two bands are still playing

SATURDAY

Beach House (Good Records- FREE)
In store starts at 3pm, and I bet there will be more than a few people in attendance, so getting there early would be a wise move.

Beach House | Paper Cuts | Mom (Hailey's)
Beach House has more or less emerged into the indie mainstream since our interview with them last year (and mostly because of it), and although their second album Devotion wasn't much of a departure from their debut, they have been thrust into the spotlight over the past several months along with other similarly reverby acts like High Places, Celebration and Panda Bear. I find Beach House to be pretty remarkable considering what they are able to do with so little, and the best part about them is something you'd never expect: they sound just as good live as they do on record, dismissing many potential dismissals for "studio trickery" or whatever the fuck some lame music critic might say about this band when they get freaked out by lo-fi and reverb.

Hands Up! with Morsy and the Party (The Loft)

ADD: Denton's noise collage group Animal Forces will be playing at And/Or Gallery at 830pm. Sounds like interesting stuff.



ADD #2: The Uptown Bums, Stymie, and Special Patrol Group are playing at Xtreme Dudes's Manor at 7pm, which is located on Frame St. in Denton.


Centro-matic | South San Gabriel | Robert Gomez (Granada)

The Great Tyrant | Healers | Cadillac Fraf (Chat Room, Ft. Worth)

Dokodemo Doa | Jetscreamer | Violent Squid (Strawberry Fields)
Dokodemo Doa certainly stands out from other Denton bands from the time period they occupied. There is an ominous overcast to the ambitiously operatic vocals and they sound more like something that The Cocteau Twins would be into than most bands on Bella Union, which isn't to say that musicians always enjoy music similar to their own. The smarter ones don't. Enjoyably appropriate lineup all around.

SUNDAY

Castanets | Shiny Around the Edges | Delmore Pilcrow | These Are Powers (Rubber Gloves)
Ray Raposa's Castanets return to Denton to join friends and collaborators Shiny Around the Edges for this performance. Castanets require a good deal of patience for drone passages, empty space and quiet, introverted vocals, but it's almost always well worth it, as Raposa transcends the "freak folk" tag he was given a few years ago, constantly moving farther and farther from popular music.

Ghosthustler | Record Hop | No Way | Last Men (Strawberry Fields, starts 3pm)
Nice afternoon line up at Strawberry Fields featuring No Way, a new collaboration between Lars Larsen (Undoing of David Wright, Electronik Warfare), Shane English and Jonah Lang. Based on what Larsen told me in an email this week, catching No Way's performance might be worth it simply to see all the electronic shit they've built themselves. Percussion synths, oscillators, videos, synth bass and a lot more will be on display, and the vast majority of it will be hand made. Sounds very interesting. You can check out some sound tests on their Myspace page, but if you want to hear their actual tracks, you'll have to head to this performance.

Chinese Stars | El Paso Hot Button | Pretty Vacant DJs (Avenue Arts)

History at Our Disposal | Help Saint Anna | Mermaid Police | Fishboy | Mom | This Will Destroy You (Swiss House, 3114 Swiss Ave)
This show starts at 4pm and goes all eveing.

  
Bookmark and Share stonedranger on March 7thcomments (86)
  
  
it list : thursday
  
Fishboy | Hymns | Baby Walrus (Rubber Gloves Rehearsal Studio)
Spin Magazine describes Hymns as "if Pavement and Neil Young took a road trip to Burritoville." Um, don't make me turn this car around.

80's Night With DG J (Hailey's)

Willie Nelson (Meyerson Symphony Center)

Eliot Lipp | Astronautilus (Lola's)
A recent addition to the Mush Records roster of indie Hip Hop heavyweights, Eliot Lipp is a producer with a geeky technique that relies on 70's synth and early electro sounds.

Lost Generation With Wanz (Fallout Lounge)

NOTE: The Romance Fantasy/Chris Gonzalez & The Dirt Blazers show show at the Double Wide has been canceled tonight due to the weather. No word yet on other cancellations.
  
Bookmark and Share Defensive Listening on March 6thcomments (40)
  
  
art list
  
THURSDAY

First Thursday (Bishop Arts)

SATURDAY

Andrea Rosenberg (Barry Whistler)

Palace Does Dallas (Road Agent)
Work by Austin artists Sterling Allen, Peat Duggins, and Ali Fitzgerald as part of Road Agent's exchange with Austin's Art Palace.

Sarah Maxwell English and David Willburn (500X)

Marisa Olson and Christine Gedeon (And/Or)

Primer: An exhibition focusing on entry level art collecting (Public Trust)

Drawing by Sterling Allen, courtesy of Road Agent
  
Bookmark and Share el tocadiscos on March 6thcomments (22)
  
  
it list : wednesday
  
In addition to your normal Wed. activites (It's What We Get at Hailey's and a wonderful dancehall/dubstep/reggae fix with Taxi Fare at Zubar), you could maybe go see:

Gazelles | Dignan | Teenage Cool Kids (Rubber Gloves)



I'd watch local-way-better-than-they-should-be pop-punk guilty pleasure Teenage Cool Kids for a few and peace out. Most of their songs remind me of that time I got dumped when I was 16 and cried into my Bad Religion shirt, which isn't a dis on them at all. For some reason, I actually like remembering that.*



* This is a dramatization of actual events. I've never cried.

  
Bookmark and Share stonedranger on March 5thcomments (48)
  
  
it list : tuesday
  
Justice | DJ Mehdi | Fancy (Palladium)
I've seen several remarks in our comments sections in the past few weeks indicating people's frustrations with Justice for one reason or another. Some don't dig what they do. That's fine, and after all, most of their material doesn't seem to do a whole lot musically that is either new or particularly revolutionary, even within the narrow genre parameters of French electronic dance music. Other commenters seemed to be sick of the year long assault of Justice hype, and I can see their point too. I'm pretty sure I never need to hear "D.A.N.C.E." at one more hipster party ever again for the rest of my life, and I can't say that I feel particularly "cutting edge" when I arrive at any event sponsored by Tom An I mean Rupert Murdoch's Myspace.

But despite these complaints, what everyone probably has to concede is that Justice released one of the most important dance records of the decade last year, at least as far as crossover appeal and cultural impact. Their tracks took a choppy, distorted, imbalanced and rock focused sound and blended it with classic disco, new jack R&B, and a healthy dose of Chicago acid and fidget house to create a virtual bomb that seemed to be dropped on just about every discerning dancefloor in the world at one point or another in 2007. What resulted was a healthy push towards dance music for many "indie rock" consumers that seemed to draw a line in the sand: I think a lot of 90's indie scene leftovers look at groups like Justice, Spank Rock, Simian Mobile Disco and M.I.A. as the personifaction of the day the music died, the day they realized they didn't "get it" anymore and decided to move on to their grumpy anti-hipster period. And no matter what you think of Justice, that shit is pretty funny.

The live show is supposedly phenomenal too, and with Ed Bangers Mehdi and Fancy opening, I'm guessing this will be a very fun evening.

The Party | Keith P (The Loft)
This a free after-party for the Justice show and it runs from 11:30 to 1:00 am. There will be complimentary Colt 45. Good Gawd.

Blitzen Trapper
| Fleet Foxes (Hailey's)
At their best, Blitzen Trapper sounds like mid-period Kinks. At their worst, they sound like late period Sloan. They were once remixed by Best Fwends. I don't even know how to begin to comment on that. Fleet Foxes claim to play "baroque pop," and theirs is a lazy, dreary take on that oft attempted genre.

They Might Be Giants | Oppenheimerr (House Of Blues)
Thirty something dollars is a lot , even if they play "They'll Need a Crane." Don't know much about Oppenheimer, but they sound every bit as ready to write TV show themes as TMBG.
  
Bookmark and Share stonedranger on March 4thcomments (47)
  
  
free beach house and health tickets
  
Spune was nice enough to hook us (or, I guess all of you) up with a pair of tickets for the Beach House show at Hailey's this Saturday, March the 8th, and another pair for Health and Crystal Castles at Hailey's on Sunday, March 16th. Want to win them? Send an email to weshotjrtix@yahoo.com any time between now and Friday at noon. Be sure to include your full name in the message and the name of the show you want to see in the subject line. Good luck, losers!
  
Bookmark and Share stonedranger on March 4thcomments (21)
  
  
go vote today*
  
*Unless you support Hillary Clinton. We're not doing any blanket support for democracy around here.
  
Bookmark and Share stonedranger on March 4thcomments (8)
  
  
it list : monday
  
Aside from Cool Out at the Cavern and Jazz at the Amsterdam, Rubber Gloves will be hosting a listening party for Boris' Dronevil, an hour long album released on 4 vinyl sides that is intended to be heard via two synced stereos playing both records at the same time. Although I can't say for sure because I haven't heard either of these records myself, one of them apparently leans more towards Boris' heavy stoner rock side, while the other brings the drone to the forefront. Listening parties for CDs often strike me as kind of dumb, but this is exactly the kind of album that listening parties were made for: rare, expensive imports that require more than one stereo to be heard properly. Rubber Gloves promises to turn shit up, and I bet any Boris fan would enjoy stopping by to hear what it sounds like on a relatively large sound system. It's free, and you can read more about the album here.
  
Bookmark and Share stonedranger on March 3rdcomments (12)
  
  
we shot j.r. presents: times new viking
  
  
Bookmark and Share stonedranger on March 3rdcomments (15)
  
  
monday morning rock
  


SHOWS OF NOTE THIS WEEK

TUE: Justice/DJ Mehdi/Fancy (Palladium)
TUE: Blitzen Trapper/Fleet Foxes (Hailey's)
SAT: Beach House/Paper Cuts/Mom (Hailey's)
SAT: Hands Up (The Loft)
SUN: Castanets/Shiny Around the Edges/Delmore Pilcrow/These Are Power (Rubber Gloves)
SUN: The Chinese Stars/El Paso Hot Button/Pretty Vacant DJs (Avenue Arts)
  
Bookmark and Share stonedranger on March 3rdcomments (9)
  
  
  
  
NEWER 
  
  
 
 
 
 
interviews
local q&a-- dharma
robert pollard of guided by voices
maria bamford
ga'an (chicago)
local q&a final club
mary anne hobbs
the pains of being pure at heart
neon indian
nardwuar interview
vivian girls
infernus of gorgoroth
local q & a fergus and geronimo
wolves in the throne room
nite jewel
here we go magic (brooklyn)
local q&a-- fungi girls
gang gang dance
aids wolf
indian jewelry
dj hatcha
dallas dubstep city
boris
negativland
noah simblist
finally punk
silver apples
chris anderson of transona five
clipd beaks
mermaid blonde
health
matthew dear
sonic boom
playing with jandek
dan deacon
glass candy
tussle
dead meadow
grizzly bear
dr. dog
the black keys
lansing-dreiden
beach house
the black angels
japanther
the clientele
zac crain
tree wave
castanets
gorilla vs. bear
bubba kadane of the new year (by defensive listening)
high society
liars
voxtrot
meat radio
the undoing of david wright
undeniable records
 
archives
december 2010
november 2010
october 2010
september 2010
august 2010
july 2010
june 2010
may 2010
april 2010
march 2010
february 2010
january 2010
december 2009
november 2009
october 2009
september 2009
august 2009
july 2009
june 2009
may 2009
april 2009
march 2009
february 2009
january 2009
december 2008
november 2008
october 2008
september 2008
august 2008
july 2008
june 2008
may 2008
april 2008
march 2008
february 2008
january 2008
december 2007
november 2007
october 2007
september 2007
august 2007
july 2007
june 2007
may 2007
april 2007
march 2007
february 2007
january 2007
december 2006
november 2006
october 2006
september 2006
august 2006
july 2006
june 2006
may 2006
april 2006
march 2006
february 2006
january 2006
 
 
links
our myspace page