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it list : thursday
  
Super Suckers | Blacklist Royals | The Phuss | Last of the Interceptors (Rubber Gloves)
Can someone please kill this terrible band already? Well, I don't mean that I really want them to be killed, but the only reason any of us have ever heard of them is because they picked the perfect time to move to Seattle (1989) and joke their way on to Subpop back when the concept of rock n roll "authenticity" often meant "ability to act like an idiot." It was a stupid concept anyway. Take terrible rockabilly, mix it with pop punk and grunge and there you have it: something that I can't believe anyone needs to hear more of in 2010. Can anyone think of a worse early Sub Pop signing?

Baruch the Scribe | Robert Gomez | The Fox and The Bird | Glen Farris (Syc House, 816 W. Sycamore)
Denton's Baruch the Scribe is "tasteful." There's nothing shitty about their music. There's nothing "bad" about it, so to speak. They write "real" songs and "know how to play their instruments" and sing well. They sound like they might even have a chance to "succeed" one day. That's pretty cool, good for them. They sometimes sound like the Kinks and the Faces, and sometimes stuff like Joanna Newsom and other garbage I don't care about. However, more than anything else, they sound like they're influenced by the Rushmore soundtrack, or just the idea of the Rushmore soundtrack (see Kinks, Faces above). And I don't even mean the music really, either, but rather the lifestyle and badges of honor that go along with being into stuff like this-- essentially, this is faux bookish, nerd chic, quirky "indie" cool thats trying desperately to establish some kind of emotional experience with the listener but ultimately feels more than a bit empty and calculated, an attempt to be something rather than do something. "Weird" for its own sake, but never truly experimental. Cute and cuddly but "smart" and a little "dark." This stuff sounds like the kind of music that some marketing executive would think is supposed to soundtrack my "quirky" life, and although it could be me that's empty and jaded, the experience of listening to this band sort of feels like watching a rerun on television-- I'm only half paying attention, but I'm still getting annoyed.

80's Night with Yeahdef (Hailey's)
Did Yeahdef buy Hailey's or something? Here's to hoping that this works out for all parties involved, and I'd really like to see Yeahdef's setlist from this evening-- not because I think its gonna suck or be super amazing or something, but simply because I'm interested in what kind of 80's music is enjoyed by people who weren't even alive in the 80's. And I don't mean that as some kind of insult either, because although I'm considerably older than most of the people who will be at Hailey's tonight, I'm still not old enough to have "been there," so it really doesn't count. And besides, people who "actually lived it MAN" usually suck.

Billingham's Defense System (Fallout Lounge)

  
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interviews
local q&a-- dharma
robert pollard of guided by voices
maria bamford
ga'an (chicago)
local q&a final club
mary anne hobbs
the pains of being pure at heart
neon indian
nardwuar interview
vivian girls
infernus of gorgoroth
local q & a fergus and geronimo
wolves in the throne room
nite jewel
here we go magic (brooklyn)
local q&a-- fungi girls
gang gang dance
aids wolf
indian jewelry
dj hatcha
dallas dubstep city
boris
negativland
noah simblist
finally punk
silver apples
chris anderson of transona five
clipd beaks
mermaid blonde
health
matthew dear
sonic boom
playing with jandek
dan deacon
glass candy
tussle
dead meadow
grizzly bear
dr. dog
the black keys
lansing-dreiden
beach house
the black angels
japanther
the clientele
zac crain
tree wave
castanets
gorilla vs. bear
bubba kadane of the new year (by defensive listening)
high society
liars
voxtrot
meat radio
the undoing of david wright
undeniable records
 
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