WE SHOT JR 
 
 
 shows / photos / about / twitter / sxsw  
 
 
 
farewell
  
Saturday's WSJR funeral was easily one of the best times I've ever had doing anything involving this website. First of all, every band I saw was great. Like, "I actually want to listen to this shit at my house sometimes" great, you know? And a lot of people came out to see them, way more than I expected, which was a welcome and pleasant surprise that made the whole experience substantially better. I talked with old friends, met a few new ones, and had a really good time at a concert I was honored to be a small part of.

At some point during the night, I reflected back to a few weeks ago when a friend of mine asked me if I thought I had "accomplished" anything with WeShot JR after almost five years. Am I "proud" of it? Would I recommend that others give something similar a try themselves? Is Dallas worth fighting for, and didn't moving to Chicago pretty much already answer that question? After first wondering why my friend was being kind of a dick, I realized that I really didn't know how to answer his inquiries. And then I realized that it didn't matter.

This site was started in January 2006 mostly out of boredom, with an aim to have as much fun in Dallas as I possibly could while I was stuck living there for school and work. As the site launched and I looked around the internet, I realized that there really wasn't anyone else in town doing what I was trying to do, which seemed strange but not all together surprising. You see, up to that point, I had spent several years in Dallas going to a lot of mediocre shows and reading countless articles on boring 90's holdovers like Deathray Davies, Old 97s and others, wondering what, exactly, was wrong with the local music media and why Dallas hadn't caught up with the rest of the world. Was it shitty writers? Shitty bands? A shitty music scene? I really wanted to find out. It seemed that Dallas was stuck in a certain era of its own history, and I figured there were a lot of people out there like me who wanted to experience good music in the city but had no idea how to find it, or if it even existed at all. I wasn't a part of any "music scene," I had no inside scoops into anything going on, and truly lacked any kind of real insight into what Dallas music was all about, other than whatever knowledge I already possessed regarding music in general.

I guess what I'm trying to say is that this site had a very humble aim when it started, and not only did it more than accomplish my initial goals, it eventually became much more than I ever thought it could be. If someone had told me that I would work on it almost every day for five years, I would have laughed at them, just as I would have if they had told me I'd get to interview everyone from Robert Pollard to Sonic Boom to Silver Apples, or get to put on concerts, or start a record label, or host parties at SXSW or a showcase at Melodica Festival. I have no idea what we did or didn't accomplish with this site, or if we changed anything, or how many people will even remember us a few years down the road. But I do know that we, as in the writers and readers of WeShotJR, made some noise in this town, and I loved almost every second of it.

As silly as it might sound, working on this website has been one of the most fulfilling things I've ever done, and I'd like to truly thank everyone for reading, even those who hated us. Especially those who hated us. Because in a place like Dallas, if your opinions don't piss people off, you're doing something wrong.

I'd like to give special thanks to:
Sam Machkovech
Sanctuary Studios
Zac Crain
Wanz Dover
John Freeman
The Shapes
The Party-- Nature, Sober and Select
James Watkins
The Chat Room
1919 Hemphill
Seth Sherman
715 Panhandle
East Plano
Muscle Beach
Art Prostitute
Daniel Francis Doyle
Orange Coax
Fight Bite
Nevada Hill
the Undoing of David Wright
The Strange Boys
8th Continent
Fra House
Wisconsin
Majestic Dwelling of Doom
all current and former WeshotJr writers
Sally Glass
Fred Holston
Anyone who has performed at any of our shows
Bill Holston
Prince William
House of Tinnitus
Paul Slocum
Cliff Notes
Josh Baish and everyone at Rubber Gloves
TPH
DL
and anyone else who deserves it
  
Bookmark and Share stonedranger0 Comments
  
  
name(blank for anonymous)
 
Comment..
  
 
 
 
 
interviews
local q&a-- dharma
robert pollard of guided by voices
maria bamford
ga'an (chicago)
local q&a final club
mary anne hobbs
the pains of being pure at heart
neon indian
nardwuar interview
vivian girls
infernus of gorgoroth
local q & a fergus and geronimo
wolves in the throne room
nite jewel
here we go magic (brooklyn)
local q&a-- fungi girls
gang gang dance
aids wolf
indian jewelry
dj hatcha
dallas dubstep city
boris
negativland
noah simblist
finally punk
silver apples
chris anderson of transona five
clipd beaks
mermaid blonde
health
matthew dear
sonic boom
playing with jandek
dan deacon
glass candy
tussle
dead meadow
grizzly bear
dr. dog
the black keys
lansing-dreiden
beach house
the black angels
japanther
the clientele
zac crain
tree wave
castanets
gorilla vs. bear
bubba kadane of the new year (by defensive listening)
high society
liars
voxtrot
meat radio
the undoing of david wright
undeniable records
 
archives
december 2010
november 2010
october 2010
september 2010
august 2010
july 2010
june 2010
may 2010
april 2010
march 2010
february 2010
january 2010
december 2009
november 2009
october 2009
september 2009
august 2009
july 2009
june 2009
may 2009
april 2009
march 2009
february 2009
january 2009
december 2008
november 2008
october 2008
september 2008
august 2008
july 2008
june 2008
may 2008
april 2008
march 2008
february 2008
january 2008
december 2007
november 2007
october 2007
september 2007
august 2007
july 2007
june 2007
may 2007
april 2007
march 2007
february 2007
january 2007
december 2006
november 2006
october 2006
september 2006
august 2006
july 2006
june 2006
may 2006
april 2006
march 2006
february 2006
january 2006
 
 
links
our myspace page