In February of this year, Dj Nature overheard two "art school rock kids" talking about The Party, his Wednesday night residency at Rubber Gloves in Denton. One of the kids explained to the other that he had gone to Rubber Gloves for one of Nature's sets, only to find that "the Dj was playing all this ghetto music, and I was like what the fuck is this? This is gross."

Statements like these really make one wonder about the state of pop music in the metroplex. Looking at a list of the largest metropolitan areas in the United States inspires further contemplation: Dallas- Ft. Worth ranks number five in population behind New York, Los Angeles, Chicago and Philadelphia, and just ahead of Miami, Houston, Washington D.C., Atlanta, Detroit, Boston and San Francisco. If you think about it for a moment, you'll realize that just about every single one of these cities has gained national attention for their local music scenes at least once in the past 25 years. Whether it be the D.C. or L.A. hardcore scenes of the early 80's, Detroit's garage rock, Houston's hip hop, New York's downtown/mutant disco, or Chicago's post rock, all of these places have produced movements full of bands and artists that have had a significant impact on the music that many of our readers listen to. All except for Dallas- Ft. Worth.

Sure, this town had the Toadies (who were featured on the Black Sheep soundtrack!), Tripping Daisy and Erykah Badu, but Dallas is the only one of these large metro areas that hasn't had any real movement to call its own, almost nothing to indicate that the area even has a pulse when it comes to cutting edge musical culture. You can explain this phenomenon however you want (there are so many ways to do so), but part of the blame must surely be placed on the attitude expressed by the art school kid above. Many music fans in the metroplex appear to be relatively close minded when it comes to discovering new music and mediums, and this rather conservative mindset seems to be especially prevalent amongst local "indie" rock fans who somehow have the audacity to insist that they have good taste. Just take a look at all of the most popular rock bands in Dallas right now (Death Ray Davies, Titanmoon, all the singer songwriter garbage, Burden Brothers, etc.), and tell me that this town hasn't simply copied the line up of Edgefest 96 and repeated it over and over and over again ever since. Bands, concert promoters and fans all seem to be unwilling to move away from the past as they watch their concert venues shut down, music festivals fail, and radio stations refuse to deliver any new exciting music on a massive scale. Flipping through the pages of the Observer often seems like a convenient way to pretend that the last several years of independent, experimental and electronic music never happened, and venues are generally having a hard time selling the vast majority of same old same old local bands to audiences that are complacent but clearly bored. This has all been discussed to death before, but its worth repeating: by many measures, Dallas- Ft. Worth is still in a slumber, and it might not wake up any time soon, especially now that the Morning News is cutting its entertainment staff and the Observer is about to start being run by a robot or something. Simply put, getting any kind of attention for doing anything new, different or even just quality is going to be a challenge around here for quite a while.

The good news amidst all this doom and gloom is that there appears to be some exciting new activity brewing just under the radar, and Dj Nature, Select and Sober, the three key figures that make up the Central Booking Agency, are right in the middle of it. In fact, all three of them actually see a lot of emerging bright spots in Dallas right now, mostly revolving around the expanding dance and experimental electro scenes that have been gaining momentum around town for the past several months. "When we say that we feel like things are starting to happen in Dallas, its more us restating what people have been telling us for the past few months," says Sober, a.k.a. Will Rhoten. The group references many conversations with out of town music figures who claim to have heard very good things about the happenings in Dallas as of late, and one can make a pretty good argument that Central Booking is itself partly responsible for the recent onslaught of good vibes. "I think we just sounded the alarm," says Sober, "and the rest of the people who were already on the same page heard it and responded."

The alarm they sounded was one that many Dallasites needed to hear, and Central Booking has received a quick and rather loud response from a surprisingly diverse group of people. Not diverse in that latte liberal NPR sort of way, but more like a diversity of tastes, interests, ages, attitudes, and musical persuasions, all of which are being brought together by a group of DJs that defy simple genre classifications and inadvertently call into question many of the antiquated assumptions that a good portion of local rock fans still seem to have about dance music and DJs.

Central Booking's mainstay thus far has been The Party, Dj Nature's weekly show at Rubber Gloves and monthly event at ZuBar on lower Greenville. People that read this blog surely have heard all about the party by now, but judging by the crowds that have been showing up to Central shows in Dallas recently, there are a lot of other people that are starting to notice too. The immediate appeal of Central Booking's events and The Party in particular is the simple fact that everything they play is accessible, fresh and highly danceable, pulling from a ridiculously wide range of genres to produce sets of music that most people, even those who closely follow trends in electronic music, have probably never heard before. "We don't want to play 4 hours of 80's records, or 4 hours of hip hop, or new wave or bmore or whatever else," says Nature, "its more fun for us to switch things up, and I think that this lets us explore music in ways that other performers or DJs don't get to or have yet to try."

On any given night when Central Booking is running the show, audiences will hear old and new pop hits from the likes of The Smiths, Janet Jackson, Shakira, R. Kelly, Keith Sweat, Justin Timberlake, and Al B. Sure, but will also encounter more underground material like CSS, Drop the Lime, Ratatat and Spank Rock, as well as a generous helping of both old school and new hip hop. However, the real selling point is the hearty helping of hard to find international tracks that make up a large portion of the Central Booking sets. African and middle eastern tracks, such as those featured on Nature's excellent new mix CD The African Game, as well as Brazilian funk, Jamaican one drop reggae, and dance tracks from all over South America and the Caribbean are all featured in just about every set. Much of the international music takes cues from American hip hop, but a lot of it expands upon its base, incorporating everything from Kraftwerk inspired minimal elctro to the traditional folk music of the various nations from which the artists originate, creating sounds that are distinctly familiar enough for American crowds to dance to, but also foreign enough to be exciting, interesting, and a bit challenging at times. It should also be noted that these guys aren't the "Dallas version" of whoever in New York doing blah blah blah: Central Booking is the real deal, staying current with so many different scenes from around the world that they are playing many tracks before just about anyone else in the United States get a hold of them, providing the Dallas dance crowd with a chance to hear the newest innovations and changes in dance music before audiences in larger and typically more respected U.S. cities get to. For a quick bit of proof, you can venture over the Central Booking blog and explore their "En La Calle" series, a group of new downloadable tracks that the trio updates each week to spread the word about some of the better songs that they've been listening to and spinning lately.

The eclectic backgrounds of the three Central Booking DJs partially explains the diversity found in their sets. All three have been Djs for years, and each of them brings a different set of influences to the table. Nature began his career at Rubber Gloves in the late 90's, earning a very large following amongst the early Rubber Gloves faithful. Soon after establishing himself in Denton, however, Nature journeyed to San Juan, Puerto Rico, where he became highly involved in the developing reggaeton scene. In fact, after an appearance in Fader magazine discussing the emergence of Puerto Rico as a force on the international dance scene, Nature moved to New York, where he was instrumental in bringing some of the new sounds of the Caribbean to influential lower East Side and Brooklyn dance circles, earning him mentions in the same breath as Diplo, and even providing him with the opportunity to work with New York No Wave legend Arto Lindsay. Select and Sober come from Dallas and Ft. Worth, respectively, and both have been a part of various local scenes for years. Select has been DJing and doing urban promotions since he was 15 years old, growing up around punk, 80's metal, motown, soul, hip hop, bagpipe music and percussion. Sober started getting into hip hop in the mid 80s, and is also a visual artist that has worked in several different mediums, including most recently a clothing line called "Decade."

Commenting on the wide range of fans that the trio has attracted, Select says that "we (Central Booking) all come from pretty different backgrounds, so that helps. And when we're not together, we sort of run in different circles." BBoys, skateboarders, club scenesters, hipsters, visual artists, rock musicians, filmmakers, graffiti artists and just about anyone else in between can all be found at a typical Central Booking event, and all of them seem to be there for the simple reason that Central Booking is doing something different from everyone else in Dallas, refusing to allow themselves to be strapped down in one type of scene, playing one type of music to one particular group of people. "There are a lot of people that were just tired of going out to the same types of things in Dallas that are coming out and having a good time at our nights," says Sober. "And we're playing a lot of records that haven't even touched the marketplace yet, so for a younger sort of music savvy crowd, this is what they wanted and weren't getting."

The trio also raises an interesting point about the attitudes of knowledgeable music fans these days. With most albums and tracks available for free with just a click of a button and a high speed internet connection, singles matter more than ever, and people are more easily able to explore genres and artists that they probably would not have bothered to listen to years ago. As a result, honest music consumers are realizing that genre labels really don't mean a whole lot, and many are rightly throwing them out the door in an effort to connect with sounds that they like, no strings attached. " The fact is that people go out to have a good time and I think Dallas has been conditioned to think that a good time can only mean one thing to one person," Nature says. "Rock shows, hip hop shows, dance clubs. Is that what we boil down to as listeners and artists? A lot of people that would go to an Undoing show probably secretly like UGK. They have Mike Jones on their ipod. Their girlfriends might secretly get wet for Justin Timberlake."

The point is that the rockist attitude that many in the metroplex seem to have is dying, and any club, promoter or fan that limits themselves to certain songs, sounds and scenes is probably well on their way to becoming completely irrelevant. Do people that like Rogue Wave only listen to indie pop? Doubtful. Do people that are into house music completely disregard Lightning Bolt? Not likely. The universal inclusiveness that can be found at a Central Booking event is an indicator that things are shifting in Dallas, and the trio is quick to point out that there are many others out there doing new and exciting things around town as well. "Theres definitely a new mix of people doing things in Dallas music right now," Nature says, adding that people such as Prince William, Stephen R, Gorilla vs. Bear, Meat Radio, High Society, Wanz Dover and the Laptop Deathmatch crew are all helping to cause a positive shift with a clearly inviting, anything goes vibe open to anyone that is sick of the norm. And considering the recent popularity of events held by all of these people, there are many music consumers out there that are bored as can be with the Dallas norm.

The Central Booking crew doesn't like to overthink things, and it works in their favor. There are a lot of people bitching about Dallas right now, figuring out ways to "save" it, and trying desperately to keep things in order, keep things going, and keep them the same. "Chaos works if its allowed to be chaos," Nature says, and he makes a good point. For the past several decades, Dallas has for the most part failed to attract the kind of attention that a metro area of its size should. Perhaps part of the problem is simply that people are thinking in old and outdated ways, limiting the potential that Dallas might have if people like Central Booking are allowed to thrive. While the Dallas old guard is worrying about Deep Ellum and people not supporting the local scene, DJs Nature, Sober and Select are having a fucking blast with a group of people that have been dying for something new.

Perhaps its the elimination of genre boundaries, or the knack for finding new music, or the captivating marketing that has led Central Booking to true local underground success with the potential to possible help put Dallas on the map for the first time. Its hard to predict what will happen in this town from one month to the next, but these guys are obviously doing something right. Nature sees it as a simple matter of people having fun at their parties without all of the pretension and posing that seems to be present at most Dallas rock shows. "The fact that guys are getting lapdances from their girlfriends at (The Party) for the first time doesn't hurt either," he says. And I think the man might have a point.

Dallas is a town full of transplants. If you move here from some tiny farming community, Dallas is going to appear to have an exciting and vibrant scene. If you're coming here from a major metropolitan area you've probably seen better. So whether or not Dallas has a decent scene and whether or not that scene is any good is almost totally subjective. And subjectivity is objective. Though not in a rational scheme of perception. Because perception is irrational. It implies imminence. And judgment of any system of phenomena exists in any rational, metaphysical or epistemological contradiction to an abstracted empirical concept such as being, or to be, or to occur in the thing itself, or of the thing itself.

potent black tail.

what kind of tail is a potentail?

Having an art/music scene in Dallas is like building a golf course in the desert. Yeah you can force it, but it just doesn't quite fit in with the environment.

wait... Titanmoon is one of the biggest bands in Dallas? They play to about 5 people... and arent they a u2 cover band?

And your all right... and this article has been written a million times.

Dallas music sucks for all those reasons (starbucks, no art schools, poor city planning,etc) but there are a few people who do make good music and book good music but its never going to change the fact that the majority of it will suck and not many people will go see the good stuff.

A main problem is that those who are really into music (llike most on here) are too cool to be "fans" of good music so they reject the Dallas artists that are really good and the potentail to bring national attention so the artist have go elsewhere to gain that attention.

Wu-Tang clan ain't nuthin' ta fuck wit.

i got an idea for all of you whiny
bitches that keep posting all this
negative shit: quit your band(s),
quit making "music", and the scene
will get better. YOU are the ones
making it shitty. YOU are the
two-faced, untalented and tone deaf
fucks you always speak of. YOU are
in the shitty bands playing the
shitty music that no one listens to,
shows up for, puts on a
compilation, writes about, or
cares about. and i know this shit,
cause i'm fucking god.

the few of you that happen to not
be in a band. save your opinions
for mommy, cause she's the only
one who's probably not gonna call
you a dumb ass after you speak.

All of you snarling about Dallas being dead or dying are missing the party we're having in the cemetery.

You naysayers are just village idiots with sandwich boards prophesizing the "strip mall armageddon" and we are walking past you, chuckling, on our way to check out and support the art and music you seem to think isn't here.

Not happy with the supposed rep Dallas has, or the shit that's coming out? Do something about it and make something of your own.

27 minutes? gee wally, that's not even half an hour!!

yeah well... ALL TOGETHER NOW: dallas sucks!!!!!!!!!!!!! probably to do w/kennedy's head or something. extremely bad karma, don't you think?!? beatles did'nt wanna come here, nor dylan. however, they did come here. to harvest their cash, of course. dallas IS a corporate, artless, soul sucking city. frankly, j.r. ewing and the cowgirls ain't nothing to build your global cred with. and that is EXACTLY what people around the earth think of this shithole.
yes, folks...

dallas fort worth denton is a good place. it unfortunately has to host many vile creatures, such as the anons that have no sense of respect. it is the same everywhere though, there are putrid beings in every city.

anon 1:45, i heart you.

2:23 Clearly you're not with it, man. Don't you know bands stopped being cool 27 minutes ago? Guitars, basses, drums...all that shit is over and done with. Put them in the Smithsonian already. These days it's all about dancers, man. And yes, I will be your private dancer.

Microfiche fucking RULZ!

Need more talk of the fiche!

2:20 - microfiche! this is the second time microfiche has come up in my life in 24 hours. Clearly a sign, my prophet. wanna start a band?

venues of note, most of which I've been to in the last month or so - rubber gloves, haileys, dans silverleaf, j& Js, Metrognome, 1919 Hemphill, secret headquarters, lee harveys, dada, cavern, gypsy, 8th continent

Sure, there are plenty of art galleries, bands and music venues in D/FW. But my shit is the best and nobody here understands me! Seriously, guys, why don't you love me? I'm clearly a musical/artistic/autistic genius. May you all burn in the coming strip mall armageddon. Perhaps when this scene is breathing it's last dying breath, all of you will realize that newspapers, radio and blogs are all irrelevant. These days it's all about microfiche man! I know a guy who smuggles it in his ass back and forth between Dallas, Denton and Williamsburg, spreading the gospel of the underground. It's like that movie Johnny Mnemonic, only it's in his ass instead of his head. Enjoy your shit scene while it lasts you hipster/gaycowboy/DJ/singer-songwriter/world beat/noise/hip-hop/Sorta/djeridoo/beard fucks!

good bands - jetscreamer, tame tame and quiet, fra pandolf, current leaves, record hop, pegasus now, notes from the underground, white drugs, silk stocking, all the laptop deathmatch dudes, shiny around the edges, chris garver, mugzu, spitfire tumbleweeds, backsliders, eat averys bones, hogpig, idi amin, 100 damn guns, burnt sienna, baptist generals, birth to burial, fishboy, undoing of david wright, marked men, jeez... there' tons more...

I'm listening to this town

No kidding! Bunch of crybabies.

wah wah wah wanna see batman! a-team, dangermouse and he-man

Good article and thread!

WHY DO YOU ALL LIVE HERE? ARE YOU ON THE NO FLY LIST? BLACKLISTED FROM UHAUL? ON PROBATION? IF IT SUCKS SO BAD, MOVE.

It doesn't matter. No one is listening to this dying town.

I feel for the bands though. If it was possible to uproot all the decent bands and spread them across the cities that embrace art, then you guys will have a chance.

If all you want is to play in front of your friends, girlfriends and other bands, by all means stay right here in the lovely suburban sprawl.

Barnes & Noble, Central Market and Starbucks will be your only venues here soon.

Denton will be swallowed by the blandness of Plano/Frisco and Dallas will become more inept and as far from proactive as you can get. Maybe we can fuck up everything to a point where we would be like Pluto and would be eligible to not be called a city.

exactly

who are you talking to?

elitist bullshit

...and fuck a genre!

why can't we all just get along instead of saying this is dying or this is no good.

fuck all that man.

represent your city instead of tearing it down.

Select is a Dj.

Well here in Denton...

Maybe more pride in your area and a little work to make it better is what is holding back this town? Do you think New Yorkers and people in LA are going "Man my city sucks. I hate this place and all the damn fucking bands here"?

At least we're tops in the violent crime department.

Ever notice that it's when people LEAVE this concrete yuppy jungle they seem to have a little more success?

Yep and Dallas has the most superficial mindset of all! More than LA because deep down we all know this town blows!

Go Cowboys!

Dallas is Loft living and Banks. Condos taking over everything. Business as usual. Our downtown is a joke compared to other cities. We're wasting money to build a bridge over a river where dead bodies hang out and that smells like shit. It's all D Magazine and Uptown. We're a wanna be L.A. It's a joke. Andy Warhol had to leave New York to be recognized as a real valid artist in the art world. It happens all over not just to Dallas. It's a mindset not a location.

And in more recent times, they've been known for a pretty decent high energy experimental art rock scene with groups like Man Man and Need New Body. And yes, Philly has had a pretty big impact on hip hop over the past 15 years.

Are you fucking serious about Philly not being know for a music scene? Ever heard of Philly Soul? Ever heard of American Bandstand? Ever heard of Hip Hop?

Their girlfriends Their girlfriends Their girlfriends Their girlfriends Their girlfriends Their girlfriends
(repeat chorus)

cool, but you still didn't answer my question about phillie's music scene :)

I certainly think you raise some good points, and I would agree with you that the lack of a real university atmosphere around here really contributes to some of the problems. SMU is a real cultural wasteland... can anyone think of ONE band comprised of SMU students that plays even half decent music? Maybe there was one back in the day in Dallas, but I've never heard of it.

But of course, part of the problem with SMU can also be explained by the conservative, close minded mentality I discussed in the post, can't it?

I read the first paragraph and the last sentence. That shit is way too long and it's about DJ's.

I spin music to make-out to. I am God.

i get confused when i read stuff here about how dallas doesn't get the attention paid to it's music scene that other large cities do and the theories as to why that is, etc. (oh, stonedranger, i'd like to know what music scene philidelphia is known for)

the size of the city has nothing to do with it. it's the city's proximity to good colleges and art schools that matters.

let's see, in dallas proper, we have SMU, UTD, DB(aptist)U and a few community colleges.

none of these dallas learning institutions have strong art or music programs. SMU is probably as good as it gets here, and that's not saying much. the majority of students here study business and engineering.

The NE, W.coast and upper mid-west all hoard most of the young creative minds in this country, so the rest of us do the best we can with what we have.

UNT has a decent art program and an excellent music program and that's why there's probably more forward thinking work coming from a small town like denton than from a large city like dallas.

even people who aren't students but who live in these environments are affected in a competetively creative way.

if NY, LA, SF, Chicago, Boston, etc. didn't have the advantage of a higher artisit population, then they wouldn't have strong music scenes either.

just a theory....

Hip places to spend your money is not culture. Tons of people showing up to shows you deem important is not culture. This entire country is devoid of culture. You sucking has nothing to do with Dallas or its lack of culture.

"We don't care what genre of music it is, if it's good, we'll play it."
- RGRS

ps. Nature is the shit, and we're damn lucky to have him. Neneh Cherry's "Buffalo Dance" followed by a remix of Joanna Newsom's "Sprout and the Bean"?
Genius.

Those of you bemoaning a lack of "culture" due to the prevalance of neophilia, white-collar capitalism are just buying into the same lifestyle those rich, glossy fucks are.

"Culture" is always changing, so you may be at fault for trying to find something that's obsolete or already commodified all to hell.

Art and culture is everywhere here. There is always something new happening here, even if it's not getting tons of press coverage. Just open your eyes to it, ask around, and check shit out. If you're not satisfied with what other people are doing, motherfucking go make your own.

anybody got the oak cliff notes from that one? slammin article!

Agreed, Arlington is a wasteland. I am yet to find anything redeeming about the place. Even Caves is a piece of garbage.

As for lacking culture, you'll have to go to Fort Worth for that.

10:15 AM

try arlington, at least FW has two active DIY venues, a couple of amazing bands, and the modern

Loved the article. It actually got me excited about Dallas.

(including one that just moved from "artsy" Denton to Dallas)

Spare me...

There is no room for art in this town. Suit sales, subdivisions, and corporate headquarters are way up, while art galleries, music venues and artists have no where to display their craft.
-8:27 AM

Art is alive and well in Dallas. In fact, I can think of a dozen kick ass galleries (including one that just moved from "artsy" Denton to Dallas) that would have a different opinion than yours.

You should get out more. Try this link for starters:

http://www.glasstire.com/events_dallas.html

Stuff is going on here all the time.

Ummm... I'm pretty sure every place has history. People just don't read or research, and dismiss it. Sorta like you just did.
As for lacking culture, you'll have to go to Fort Worth for that.

It really only takes a couple minutes to read, I promise.

anybody got the cliff notes for that one?

Dallas has history. It's just that more of it is being torn down to make way for the new. Keep Dallas plastic!

God damned DJs.

The main problem with Dallas is the lack of culture. All of those other metro areas have some sort of natural reason to exist, be it a body of water, ethnic concentrations or some sort of historical significance.

Dallas has no reason to exist other than the fact the people with money decided this would be a nice place for a town. Dallas is business only. The underlining goal is attract more and more business. White collar all the way for Dallas. No room for culture. We have to make everything shiny, new and in a giant fucking grid.

There is no room for art in this town. Suit sales, subdivisions, and corporate headquarters are way up, while art galleries, music venues and artists have no where to display their craft.

Why? Because it is not fed. The people of this town are the children of the transplanted corporate worker bees who are raised in a franchise mentality.

Art will not thrive in Dallas because there is no history. Sure we killed JFK.

This is the article that Quick was trying to write. Then again, this is the reason people are more faithfully turning to blogs like WSJR and GVB rather than pay any mind to the outdated, elitist sociocrat journalists at DMN and the rest of the fussy just-don't-get-its at the Observer.

Slowly but surely, Dallas is realizing it can do something else besides whine about the state of itself: we can go out and have a really good time, free from most social politics that many subcultures seem to thrive on, and get inspired by sounds from the rest of the nation (and the world!) rather than rehash the same old self-indulgently local shit we've put up with for years as being representative of Dallas.

We're a lot more than just big beards, faux Brit-pop, and teenage art fucks trembling under the weight of their own hubris.

Funny how it took this long to figure that out.

Sounds like an old fashion case of disco fever coming on.

another english paper due, ranger?

glad to see this up on here

Wow, I don't feel like my ass was whipped by this blog at all!

How is this thing not riddled with comments yet? What gives?

oooh, slam!

Yawn.